There is no interpretation. It’s true that every photographer can see the same scene or subject from different perspectives, but it’s all relative. I see it this way...
Two of our members are currently featured in the EHS 30 world's best fine art street photography.
Melissa Breyer was recently featured in The New York Times with the ongoing project 'Watchwomen'. Read the full article here.
Introducing a new international collaborative of urban photographers, the Superluna Collective. Born under the light of the November 2016